Making a List: Creating a Perfect Bibliography

by Angela Cerrito  Copyright © 2005   angelacerrito[at]yahoo.com  [at]=@


After conducting fascinating interviews and gathering exciting and accurate source material, you have composed an amazing article. You may wonder what to do about sources. How do you impress an editor with your careful research? How much does an editor need to know?

 

Cobblestone Publishing requires “an extensive bibliography” for queries to many of their magazines (CALLIOPE, COBBLESTONE, DIG, FACES and ODYSSEY). Writer Carolyn P. Yoder, who is also Senior Editor at HIGHLIGHTS FOR CHILDREN and Editor of CALKINS CREEK BOOKS, checks for a bibliography before reading a manuscript. She states, “It is the most important part of the submissions package because it speaks to the author’s passion and devotion to the subject. It shows me if the research is complete. Complete research means a good story. It’s as simple as that.” In these cases, a bibliography is a key component to having your work taken seriously.

 

Even if a bibliography isn’t required, it certainly won’t disqualify your manuscript. Show the editor that you’re excited about your topic and you’ve done your research. Don’t just do it; do it right.

 

Acceptable Sources
It may seem obvious, but the key to a professional bibliography is the use of acceptable sources. Tim Loftus is an environmental chemist; he has published professional articles and writes regularly for children’s magazines including HIGHLIGHTS FOR CHILDREN, NATURE FRIEND MAGAZINE and MY FRIEND. He offers this advice, “The most important aspect in documenting sources is to make sure the sources are legitimate. Search for publications written by experts in their field or edited collections from well-known and respected publications.”

 

Yoder agrees. “At HIGHLIGHTS, I still receive non-fiction articles that list encyclopedias, Internet sources and children’s books as their only sources.” She writes in her response to authors that HIGHLIGHTS prefers to see up-to-date and classic sources –adult and children sources, primary and secondary. She also suggests working with experts. “An expert can offer more than answers to specific questions. They can lead you to the best books on your subject and direct you to other experts.” Below are her tips on finding experts:

1. Go to your local historical society
2. Visit a museum. People there are eager to help children’s writers find sources suitable to their audience
3. Find academic experts at a university
4. Attend lectures about your subject
5. Look at encyclopedia entries and secondary sources for bibliographies
6. Read doctorate dissertations for detailed bibliographies

Complete
A partial bibliography won’t tell an editor the extent of your quest to find information. Write down every source you used. Sue Bradford Edwards is a freelance author and writing instructor. Her work has appeared in THE CHILDREN’S WRITER’S AND ILLUSTRATOR’S MARKET, Institute of Children’s Literature publications and children’s magazines including READ, LADYBUG and YOUNG EQUESTRIAN MAGAZINE. She advises against rushing the research process. “Don't decide ahead of time that if you have ten items on your bibliography, you've done enough research. That's too artificial. Research until you’re done. Divide your bibliography into categories –primary, secondary, web sites, interviews, and so on. If all you have are secondary sources, get something under that primary listing! Make a phone call and do a mini-interview!”

 

Yoder also suggests breaking a bibliography into categories and likes to see annotated bibliographies. “I like to know the author’s opinions of the selected books and articles. With an annotated bibliography, the author takes a stance on the facts and comes up with his or her own vision of the subject. He or she is no longer a distant observer.”

This is the place to mention the intricacies of your subject. Don’t gloss over your hard earned knowledge with a few sentences in a cover letter. An annotated bibliography is the place to discuss your sources. If there are conflicting sources, list them here. You’ve done the research; give your opinion. You are the creator of the article.

 

Accurate
Of course, the main purpose of a bibliography is that editors, and eventually readers, will be able to find your sources, if they desire. Edwards advises, “Make certain that you have all the information that you need for someone else to find this source. Then make sure you have spelled it all correctly. Try to locate your sources again using your own information, perhaps in a library catalog. This can help you see if you've misspelled the author’s name or written down a title wrong.”

 

Format
At first glance it can seem like a great effort to compile a bibliography. Yet, writers already have the information needed to do the job. The end result is only a matter of getting the words in the right order with the correct punctuation. It’s a little bit like writing, just not at all subjective. Therefore, anyone who can create an article is also capable of writing a bibliography.

 

The Basics
Bibliography basics and intricacies can be found in the CHICAGO MANUAL OF STYLE. A basic bibliography entry follows this simple format:

Books:
Author’s Last Name, Author’s First Name. Title in Italics. City: Publisher, year.

Siever, Ellen. LINUX in a Nutshell, 2nd ed. Sebastopol, CA: O’Reilly & Associates, 1999.

This book has additional information that can be included in the bibliography. A longer citation would read:

Siever, Ellen. LINUX in a Nutshell, 2nd ed. with the staff of O’Reilly & Associates.
Sebastopol, CA: O’Reilly & Associates, 1999.

Magazines / Journals:
Author’s Last Name, Author’s First Name. “Article Title.” Journal Name number (Date):
page number(s).

Rennie, Doug. “Brussels, Belgium.” Runner’s World. (December 2003): 40-42.

On-line Magazine:
Fazenbaker, Lynn T. “My Auxiliary Brain” In My Office. Kid Magazine Writers, February 1, 2005.
http://www.kidmagwriters.com/workday/office.htm

 

Putting it all together
Your bibliography is simply an alphabetical list of all sources. If you choose to divide the bibliography into categories, each category will have its own heading and an alphabetical listing of sources. To annotate a bibliography, add notes after the citation or start a new line after the cited source and begin your notes.

 

What if?
What if the author is an expert in the topic of the article?

What if the author is the only source and the article is based a past experience?

What if a source is so unique that there is no set way to quote it? What if the author has already written a book on this topic, can it be cited as a source?

What if a source is only published in a foreign language and was translated by a friend of the author?

The list of “What ifs” can be long. Too often these details stall or halt a writer’s work. Don’t let a “what if” keep you from citing a source, creating a bibliography or submitting a manuscript.

 

What if you are an expert in the field you are writing about?
First of all, that’s wonderful. Mention this fact in the cover letter and gather more sources during your research. I’m a physical therapist. If I were to write about physical therapy for children, I need more than my opinion and experiences. First, I must support my professional knowledge with research in the field. This includes professional journal articles and resource books for physical therapists. Next, I can talk with other physical therapists. Additionally, I could interview an expert in the field of pediatric physical therapy. Also, I can interview parents whose children have participated in physical therapy. Even still, I can interview their children.

 

Tim Loftus provided this example when I asked him if he used his photographs as sources. He said, “I have never cited my own photos as a source. I’ve treated my photos in the same way as my writing. I’ll find sources to backup the subject matter in my photos. I will never send an editor a photo of a squirrel’s nest, for instance, and call it a squirrel’s nest because I saw a squirrel run in and out of it a hundred times. I will find several other sources describing a squirrel’s nest before I make that claim on my own.”

 

What if the author is the only source and the article is based a past experience?
Memoirs can make great articles. But, memories are not reliable sources. If you’re writing an article based on your own experiences, share it with people who were there. Make certain your facts are accurate. Check dates and important events against print sources such as newspapers or even personal letters.

 

What if a source is so unique there is not a standardized way to quote it?
First, carefully check the CHICAGO MANUAL OF STYLE. Between the pages of 594 and 754 you’ll find information on how to quote a variety of sources including:

1. When the Author is a Monarch or a Saint, page 648
2. When the author is anonymous, page 657
3. Pseudonyms when the author’s real name is known, page 652
4. Privately printed works, page 675
5. Sources where a publication date cannot be found, page 677
6. Electronic books, page 684
7. Interviews with people who wish to remain anonymous, page 706
8. Lectures, papers presented at meetings, page 708
9. Patents, page 709
10. Private wills and documents, page 709
11. Informally published electronic material, page 714
12. Classical Greek Latin references, page 719
13. Musical scores, pages 723 - 724
14. Audiovisual Materials, pages 724-727
15. Laws and Statutes, page 739

If this still doesn’t pertain to a unique source, the CHICAGO MANUAL OF STYLE is prepared for that too. Quoting directly from page 643 of the 15th edition:

Writers or editor who fail to find solutions here for rare or unique problems in documentation –and no manual can cover every kind of citation—are advised to consult the notes and bibliographies of works in the field they are dealing with. If no model can be found, an inventive solution is quite acceptable as long as readers understand what is being cited and how they might track it down.

So, cite your source. Invent a solution. Some examples are given at the end of this article.

What if the author has already written a book on this topic, can it be cited as a source?
To this question Carolyn Yoder answers, “Absolutely. It is not uncommon that an author expands a magazine article into a book, or writes an article on the same topic as a book he or she has published. Include your work in the bibliography.”

 

What if a source is published in a foreign language? What if it was translated by a friend of the author?
Foreign language publications are discussed in the CHICAGO MANUAL OF STYLE, page 660. Cite the source in its original language and do not alter capitalization. If you are fluent in the foreign language or if the work was translated, indicate this in your notes.

 

In conclusion and just for fun, I came up with a few difficult-to-cite sources and cited them below:

A conversation with my great-aunt when I was a child and I can’t remember the exact date:

Elaine Lopez, personal conversion with the author, exact date unknown (?1977 - 1982)
..........................
The unsigned diary of a teenage girl in the US who didn’t list her town or state:

Personal diary, n.p. [USA], 1992.
..........................

Note on the inside of a matchbook:

Marsalis, Wynton. 1985. Personal collection of the author.
..........................
The set-list from a music concert:

Vinx. Set-list. Atlanta. November 10, 1994. Personal collection of the author.

Bibliography

Carus Publishing, “Cobblestone Publishing Writers’ Guidelines.”
Calliope, Cobblestone, Dig, Faces, Odyssey
Edwards, Sue Bradford, e-mail correspondence with the author, January 2005.
Loftus, Tim, e-mail correspondence with the author, January 2005.
Pope, Alice., ed and Chrysler, Rebecca., ast. ed. 2005 Children’s Writers & Illustrator’s Market Cincinnati: Writer’s Digest Books, 2004.
University of Chicago Press. The Chicago Manual of Style, 15th ed. Chicago: University of Chicago Press, 2003.
Yoder, Carolyn, telephone conversation with the author, January 2005.
        
______________________

Angela Cerrito is a writer and physical therapist. She lives with her family in Northern Italy. Her work has appeared in Hand in Hand, the newsletter for No Child Left Out and Saplings Magazine. She was awarded the Kimberly Colen Memorial Grant by the Society of Children’s Book Writers and Illustrators in 2005. This article first appeared in Kids Magazine Writers, February 2005.
If you would like to cite this article:
Cerrito, Angela. “Making a List: Creating a Perfect Bibliography” Kid Magazine Writers, February, 2005 http://www.kidmagwriters.com/tekneek/facts.htm

   
Text
© 2005 Angela Cerrito  All rights reserved. 
Permission is granted to print a copy of this article for personal use only.  Byline must be included in its entirety.  
To use this article for any other purpose, please email the author for permission.  
angelacerrito @ yahoo.com  ...remove spaces
 

To
Fiona's
Homepage 

  To
Article
Index